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It’s the year 2029: astronaut Leo Davidson boards a pod cruiser at a space station for a “regular” reconnaissance mission. But through a space-time a suddenly worsening wormhole lands him on a strange planet where monkey rule over mankind is talking.
With the help of a sympathetic chimpanzee activist named Ari and a small band of human rebels, Leo leads the effort to advance the gorilla army led by General Thade and his most reliable warrior Attar. Now the race continues to reach a sacred temple within the forbidden zone of the planet to discover the shocking secrets of mankind’s past – and the key to its future.
After watching Tim Burton’s excellent Sleepy Hollows, and the exaggerated Ed Wood, I was looking forward to more of a character-driven film, with characterization and spiritual philosophy that took the original film out of the pure science fiction genre and into a cerebral one. Adventure fully incorporated into the film. Observed social comments.
Unfortunately, the film suffers from poor scripting and direction at the exact same time that the astronaut crashed.
They knew from the outset that they would never produce a finish to the original antagonist, and that in their minds no one would expect theaters. But they could at least get the start right. Neither Mark Wahlberg’s character nor tension has ever developed, so when he is confronted by apes: we feel nothing.
Although humans have the benefit of increased intelligence and speech, they are still poorly used. And Crish Christopherson is criminally vandalized.
As you would expect, the makeup and effects are fantastic. However, despite the improved flexibility in makeup, there was little warmth in the seventies in the performance or direction of millions of children. Bonham-Carter’s Ari, which is convincing, is not a patch on Kim Hunter’s Zerra. Roth had a great performance, as Thade almost completed the film and gave it a reason to stay with it till the end.
Did i say end Well, this much is less said.